Fine art photos of Houston' s Skyscrapers

Is a picture of a building to the credit of the photographer, or the architect?

I’ve struggled with this question. It’s the same problem I have with taking pictures of a sculpture or fountain.Should I get the credit for a creative photo, , or should the creator of the photo’s subject be the hero? Can I claim credit for someone else’s art?

If someone took a picture of one of my pictures, is it my art or theirs?

There are ways to avoid this problem of pure documentation, all of which involve some added input from the photographer. Dramatic weather, unique light and shadows, creative composition or additional composition elements to name a few.

So during the winter of 2018/2019 I explored Houston’s architecture with an aim of avoiding pure documentation of any single structure. The images juxtapose two or more buildings while at the same time avoiding street-level noise of people, cars and lamp posts. I also tend to avoid the tops of buildings. This simplifies city-scapes into their simplest shaped and lines. Perspective becomes illusive as it is sometimes difficult to tell which building faces which direction. Sometimes the buildings are lined up in such a way that they almost look like a new single structure.

Even in a city as large as Houston, there are finite pairs of buildings that can be photographed in this way. Even so, I don’t think I am anywhere near a complete set.

Below are a few examples from this series of images ‘Dueling Towers’. Fine-art pigment prints using high quality metallic paper are available for collectors - contact me for more information.


Images of Halifax

I'm from a small industrial town nestled in the hills of West Yorkshire in England. Halifax was in its prime when the Victorians set up textile factories along its rivers during the industrial revolution. A lot of this architecture still remains, though most of it re-purposed for the modern world. Cold soot-stained stonework against the gently rolling hills defines the landscape. The air is fresh.

I appreciate the aesthetics of the town more now I live thousands of miles away than I did when I lived there. I started to bring my Hasselblad with me on trips to capture Halifax on film. For certain subjects, using black and white film makes the image look almost as if it were taken a hundred years ago.